In recent years, perspective views have swept into the foreground in
the field of landscape architecture. They have become the showpiece of
any new design project, frequently overshadowing the plan as the
principal graphic mediator of ideas.
This manual examines the history of these multifaceted images, their
power to shape our expectations and thinking, and, naturally, how to
create them. Perspectives communicate planned spaces quite unlike any
other orthographic architectural projections, easily connecting with
human modes of vision and perception. Yet we have become so accustomed
to seeing them that we no longer examine their messages. Moving
chronologically from the Renaissance to the present day, the book charts
their evolution and dissects the motives behind their construction,
while providing practical advice on how to compose elucidatory and
persuasive imagery.
> Introduction to terminology: Basics and principles
> Constructing a perspective
> Transmitting the message: Landscape as a medium for ideas
> Enduring themes, such as beauty and the sublime
> The future potential of perspective views