Leung Ping Kwan brought as much talent and inspiration to the writing of
his short stories as he did to his poems. 'I have drawn on magical
realism to explore the absurdity of Hong Kong, ' he wrote of the story
'See Mun and the Dragon' (1975) in which we find him using a simple,
clipped style. The later story 'Drowned Souls' (2007) was written in a
more symbolic, lyrical and more complex manner. Although the two stories
are separated by over thirty years, and are in many ways so very
different, dragons play a prominent part in both. The dragon has always
been a fascinating creature, a complex embodiment of the timeless soul
of China, symbol of the universal power of the imagination, of the
creative energy and transformative possibilities of the Tao. Both of
these enchanting stories are anchored in the author's idea of freedom
and liberation.