While film studies has traditionally treated the presence of the city in
film as an urban text operating inside of a cinematic one, this approach
has recently evolved into the study of cinema as a technology of place.
From this perspective, Documenting Cityscapes explores the way the
city has been depicted by nonfiction filmmakers since the late 1970s,
paying particular attention to three aesthetic tendencies: documentary
landscaping, urban self-portraits, and metafilmic strategies.
Through the formal analysis of fifteen works from six different
countries, this volume investigates how the rise of subjectivity has
helped to develop a kind of gaze that is closer to citizens than to the
institutions and corporations responsible for recent major
transformations. Documenting Cityscapes therefore reveals the extent
to which cinema has become an agent of urban change, in which certain
films not only challenge the most controversial policies of late
capitalism but also are able to produce spatiality themselves.