Not all documentary films and videos are sober depictions of the real
world. Documentary representations can present expressive, entertaining
and spectacular images. This book examines such innovative approaches as
they occur within the process of "documentary display"--a practice which
emphasizes the visual attractions of documentary representation. Works
of documentary display explore modes of exhibitionistic "showing" in
which sensation is frequently the vehicle of cognition and knowledge.
Such a display is analyzed within the popular and prominent forms of
found-footage film, "rockumentary", the city film, nonfiction surf film
and video and certain views of natural science topics. This accessible
and informed study, with its focus on entertaining, popular, spectacular
and sensational forms of representation, makes an important contribution
to theoretical analyses of documentary film and video.