The curators of architecture exhibitions are often concerned with the
problem of how to present objects that ultimately cannot be brought into
the exhibition space. Such shows are often difficult for lay audiences
to interpret; little focus is placed on communication. However, there
are also architecture exhibits that concentrate on communicating an
experience. They make it possible to build an intense relationship
between the audience and the content on display. This publication
focuses on the question of how space can be orchestrated at an
exhibition to negotiate an architectural idea. Bringing together pieces
by theoreticians, curators and practitioners involved in exhibition
production, Displayed Spaces contributes toward the analysis of
contemporary architecture exhibitions.