This insightful study examines the strategies used by outsiders to usurp
Hawaiian lands and undermine indigenous Hawaiian culture. Drawing upon
historical and contemporary examples, Houston Wood investigates the
journals of Captain Cook, Hollywood films, commercialized hula, Waikiki
development schemes, and the appropriation of Pele and Kilauea by haoles
to explore how these diverse productions all displace Native culture.
Yet, the author emphasizes the voices that have never been completely
silenced and can be heard asserting themselves today through songs,
chants, literature, the internet, and the Native nationalist sovereignty
movement. This impassioned argument about the linkages between textual
and physical displacements of Native Hawaiians will engage all readers
interested in Pacific literature and postcolonial studies.