This unique and comprehensive study reviews the practice of leading
American directors of Shakespeare from the late 19th to the end of the
20th century. Charles Ney examines rehearsal and production records, as
well as evidence from diaries, letters, autobiographies, reviews and
photographs to consider each director's point of view when approaching
Shakespeare and the differing directorial tools and techniques employed
in significant productions in their careers.
Directors covered include Augustin Daly, David Belasco, Arthur Hopkins,
Orson Welles, Margaret Webster, B. Iden Payne, Angus Bowmer, Craig Noel,
Jack O'Brien, Tyronne Guthrie, John Houseman, Allen Fletcher, Michael
Kahn, Gerald Freedman, Joseph Papp, Stuart Vaughan, A. J. Antoon, JoAnne
Akalaitis, Paul Barry, Tina Packer, Barbara Gaines, William Ball, Liviu
Ciulei, Garland Wright, Mark Lamos, Ellis Rabb and Julie Taymor.
Directing Shakespeare in America: Historical Perspectives offers
readers an understanding of the context from which contemporary
practitioners operate, the aesthetic philosophies to which they
subscribe and a description of their rehearsal methods.