Interweaving psychoanalysis, gender and cultural studies, and postmodern
theories of geopolitics, this study of the monster in contemporary
narratives demonstrates that the monster (and monstrosity) is largely a
cultural and ideological production. Figures such as the serial-killer,
the monstrous child, deformed bodies and spatially-influenced
monstrosity will be considered through analyses of texts by Peter
Ackroyd, Bret Easton Ellis, and Angela Carter (among others). The
conclusion proposes that language itself becomes monstrous when it
attempts, and fails, to articulate the monster.