The use of differing input and output equipment (scanners, monitors,
printers, etc.) in computer-aided publishing often results in the
unsatisfactory reproduction of color originals in print and online
media. The theoretical principles of a theory of color, color
measurement, and offset printing are indispensable for calibrating the
overall course of production. This is the first book presenting the
basics and strategies for color management in the print publishing
workflow with focus on producing according ISO 12647-2 and other
standards. The user learns what to expect from color management
according to the ICC-standard and how to avoid the pitfalls. The
terminology is oriented on practicing professionals for print
production.