An exploration of Marcel Proust and Anthony Powell's greatest literary
achievements.
There are few writers about whom opinions diverge so widely as Anthony
Powell, whose Dance to the Music of Time sequence is one of the most
ambitious literary constructions in the English language. In Different
Speeds, Same Furies, Perry Anderson measures Powell's achievement
against Marcel Proust's celebrated In Search of Lost Time.
The literature on Dance is a drop in the ocean compared to that on
Proust. Yet in construction of plot and depiction of character, Anderson
ranks Powell above him. How much do particular advantages of this kind
matter, and why is Powell an odd man out in English letters? At once so
similar and dissimilar, the intricate retrospectives of the two
novelists on bohemia and Society, upbringing and mortality,
relationships and personality, invite interrelated judgements.
The closing chapters of Different Speeds, Same Furies reach beyond
their handlings of time to chart the historical novel from Waverley to
Underworld, and the breakthrough in epistolatory fiction of
Montesquieu's Persian Letters, held together by what its author
described as 'a secret chain which remains, as it were, invisible'.