Explores the nature of Scottish Romanticism through its relationship to
improvement
- Provides new insight into the concept of 'improvement'
- Advances current thinking on Scottish Romanticism
- Identifies how improvement was involved in key aesthetic innovations
in the period
- Includes case studies across poetry, short fiction, drama and the
novel
This book develops new insight into the idea of progress as improvement
as the basis for an approach to literary Romanticism in the Scottish
context. With chapter case studies covering poetry, short fiction, drama
and the novel, it examines a range of key writers: Robert Burns, James
Hogg, Walter Scott, Joanna Baillie and John Galt. Improvement, as the
book explores, provided a dominant theme for literary texts in this
period, just as it saturated the wider culture. It was also of real
consequence to questions about what literature is and what it can do: a
medium of secular belonging, a vehicle of indefinite exchange, an
educational tool or a theoretical guide to history.