The legacy of emigrés in the British film industry, from the silent film
era until after the Second World War, has been largely neglected in the
scholarly literature. Destination London is the first book to redress
this imbalance. Focusing on areas such as exile, genre, technological
transfer, professional training and education, cross-cultural exchange
and representation, it begins by mapping the reasons for this neglect
before examining the contributions made to British cinema by emigré
directors, actors, screenwriters, cinematographers, set designers, and
composers. It goes on to assess the cultural and economic contexts of
transnational industry collaborations in the 1920s, artistic
cosmopolitanism in the 1930s, and anti-Nazi propaganda in the 1940s.