This open access book describes methods for research on and research
through design. It posits that ethnography is an appropriate method for
design research because it constantly orients itself, like design
projects, towards social realities. In research processes, designers
acquire project-specific knowledge, which happens mostly intuitively in
practice. When this knowledge becomes the subject of reflection and
explication, it strengthens the discipline of design and makes it more
open to interdisciplinary dialogue. Through the use of the ethnographic
method in design, this book shows how design researchers can question
the certainties of the everyday world, deconstruct reality into singular
aesthetic and semantic phenomena, and reconfigure them into new contexts
of signification. It shows that design ethnography is a process in which
the epistemic and creative elements flow into one another in iterative
loops. The goal of design ethnography is not to colonize the discipline
of design with a positivist and objectivist scientific ethos, but rather
to reinforce and reflect upon the explorative and searching methods that
are inherent to it. This innovative book is of interest to design
researchers and professionals, including graphic artists, ethnographers,
visual anthropologists and others involved with creative arts/media.