The book studies those sacred songs of the Monk of Salzburg corpus which
do not rely directly on a Latinmelodic or textualoriginal. These songs
show the form of the canzonic stanza and have therefore been considered
to belong into the vernacular tradition of Sangspruchdichtung and
Meistergesang. In contrast, the study argues that they rely on, imitate
and modify the model of the (monophonic) Latin Liturgical Song, a genre
which emerged in the late 12th century and was highly productive in
Central Europe until the mid-15th century. For this purpose, a
substantial number of late medieval Latin manuscripts containing songs
have been assorted, a selection of the Latin songs is edited in an
appendix.