Addressing the consequences of European slavery, colonialism, and
neo-colonialism on African history, knowledge and its institutions, this
innovative book applies autoethnography to the understanding of African
knowledge systems. Considering the 'Self' and Yoruba Being (the
individual and the collective) in the context of the African decolonial
project, Falola strips away Eurocentric influences and interruptions
from African epistemology. Avoiding colonial archival sources, it
grounds itself in alternative archives created by memory, spoken words,
images and photographs to look at the themes of politics, culture,
nation, ethnicity, satire, poetics, magic, myth, metaphor, sculpture,
textiles, hair and gender. Vividly illustrated in colour, it uses
diverse and novel methods to access an African way of knowing. Exploring
the different ways that a society understands and presents itself, this
book highlights convergence, enmeshing private and public data to
provide a comprehensive understanding of society, public consciousness,
and cultural identity.