La Mer stands at the center of Debussy's achievement. Described by the
composer as "a seascape without figures," it is arguably the greatest
and most original French symphony. In this study, La Mer is considered
in the context of Debussy's personal and musical development. Detailed
discussion of performance styles draw on current recordings, and two
analytical chapters trace the growth of ideas through the work. Studies
of rhythm, motif and tonality show how Debussy generates "narratives"
across the three movements.