In this probing exploration of what it means to be deaf, Brenda
Brueggemann goes beyond any simple notion of identity politics to
explore the very nature of identity itself. Looking at a variety of
cultural texts, she brings her fascination with borders and
between-places to expose and enrich our understanding of how deafness
embodies itself in the world, in the visual, and in language.
Taking on the creation of the modern deaf subject, Brueggemann ranges
from the intersections of gender and deafness in the work of
photographers Mary and Frances Allen at the turn of the last century, to
the state of the field of Deaf Studies at the beginning of our new
century. She explores the power and potential of American Sign
Language--wedged, as she sees it, between letter-bound language and
visual ways of learning--and argues for a rhetorical approach and
digital future for ASL literature.
The narration of deaf lives through writing becomes a pivot around which
to imagine how digital media and documentary can be used to convey deaf
life stories. Finally, she expands our notion of diversity within the
deaf identity itself, takes on the complex relationship between deaf and
hearing people, and offers compelling illustrations of the intertwined,
and sometimes knotted, nature of individual and collective identities
within Deaf culture.