Critically engaging the thought of Heidegger, Gadamer, and others,
William Franke contributes both to the criticism of Dante's Divine
Comedy and to the theory of interpretation.
Reading the poem through the lens of hermeneutical theory, Franke
focuses particularly on Dante's address to the reader as the site of a
disclosure of truth. The event of the poem for its reader becomes
potentially an experience of truth both human and divine. While
contemporary criticism has concentrated on the historical character of
Dante's poem, often insisting on it as undermining the poem's claims to
transcendence, Franke argues that precisely the poem's historicity forms
the ground for its mediation of a religious revelation. Dante's
dramatization, on an epic scale, of the act of interpretation itself
participates in the self-manifestation of the Word in poetic form.
Dante's Interpretive Journey is an indispensable addition to the field
of Dante studies and offers rich insights for philosophy and theology as
well.