In Dante's Commedia: Theology as Poetry, an international group of
theologians and Dante scholars provide a uniquely rich set of
perspectives focused on the relationship between theology and poetry in
the Commedia. Examining Dante's treatment of questions of language,
personhood, and the body; his engagement with the theological tradition
he inherited; and the implications of his work for contemporary
theology, the contributors argue for the close intersection of theology
and poetry in the text as well as the importance of theology for Dante
studies. Through discussion of issues ranging from Dante's use of
imagery of the Church to the significance of the smile for his poetic
project, the essayists offer convincing evidence that his theology is
not what underlies his narrative poem, nor what is contained within it:
it is instead fully integrated with its poetic and narrative texture.