Erich Auerbach's Dante: Poet of the Secular World is an inspiring
introduction to one of world's greatest poets as well as a brilliantly
argued and still provocative essay in the history of ideas. Here
Auerbach, thought by many to be the greatest of twentieth-century
scholar-critics, makes the seemingly paradoxical claim that it is in the
poetry of Dante, supreme among religious poets, and above all in the
stanzas of his Divine Comedy, that the secular world of the modern
novel first took imaginative form. Auerbach's study of Dante, a precursor
and necessary complement to Mimesis, his magisterial overview of
realism in Western literature, illuminates both the overall structure
and the individual detail of Dante's work, showing it to be an
extraordinary synthesis of the sensuous and the conceptual, the
particular and the universal, that redefined notions of human character
and fate and opened the way into modernity.
CONTENTS
I. Historical Introduction; The Idea of Man in Literature
II. Dante's Early Poetry
III. The Subject of the "Comedy"
IV. The Structure of the "Comedy"
V. The Presentation
VI. The Survival and Transformation of Dante's Vision of Reality
Notes
Index