This book is a history of the influence of Dante on English poetry. The
focus us not primarily upon stylistic influences or attempts to imitate
Dante's manner of writing, but rather on the different guises in which
the enormous presence of Dante has made itself felt, and how that
presence has affected some of the central concerns of the poets in
question. The poets considered are Shelley, Byron, Browning, Rossetti,
Yeats, Pound and Eliot. In addition to analysing the way Dante is
approached by these poets in their major poetry, Dr Ellis also discusses
relevant critical works: Shelley's Defence of Poetry, Pound's The Spirit
of Romance and Yeats' A Vision. The critical survey is unified by the
attempt to show certain recurrent preoccupations in the work of these
writers, such as the need to define a tradition in which Dante is a
necessary forerunner. Ellis also shows that Dante has been read in a
very partial way by these poets and the images of him which emerge in
their works are inevitably varied and contradictory.