Meke, a traditional rhythmic dance accompanied by singing, signifies an
important piece of identity for Fijians. Despite its complicated history
of colonialism, racism, censorship, and religious conflict, meke
remained a vital part of artistic expression and culture. Evadne Kelly
performs close readings of the dance in relation to an evolving
landscape, following the postcolonial reclamation that provided dancers
with political agency and a strong sense of community that connected and
fractured Fijians worldwide.
Through extensive archival and ethnographic fieldwork in both Fiji and
Canada, Kelly offers key insights into an underrepresented dance form,
region, and culture. Her perceptive analysis of meke will be of interest
in dance studies, postcolonial and Indigenous studies, anthropology and
performance ethnography, and Pacific Island studies.