We're experiencing a time when digital technologies and advances in
artificial intelligence, robotics, and big data are redefining what it
means to be human. How do these advancements affect contemporary media
and music? This collection traces how media, with a focus on sound and
image, engages with these new technologies. It bridges the gap between
science and the humanities by pairing humanists' close readings of
contemporary media with scientists' discussions of the science and math
that inform them.
This text includes contributions by established and emerging scholars
performing across-the-aisle research on new technologies, exploring
topics such as facial and gait recognition; EEG and audiovisual
materials; surveillance; and sound and images in relation to questions
of sexual identity, race, ethnicity, disability, and class and includes
examples from a range of films and TV shows including Blade Runner,
Black Mirror, Mr. Robot, Morgan, Ex Machina, and Westworld.
Through a variety of critical, theoretical, proprioceptive, and
speculative lenses, the collection facilitates interdisciplinary
thinking and collaboration and provides readers with ways of responding
to these new technologies.