It is no surprise that one of Muriel Spark's most lively and
entertaining works would be her own memoir, Curriculum Vitae. Born to
a Scottish Jewish father and an English Presbyterian mother, Spark
describes her childhood in 1930s Edinburgh in brief, dazzling anecdotes.
In one she recalls a cherished schoolteacher, Christina Kay, who would
later be used as the prototype for Miss Jean Brodie. Spark boldly
details her disastrous first marriage to Sydney Oswald Spark (S.O.S.) --
himself thirty-two, she just nineteen -- whom she followed to Rhodesia
(now Zimbabwe) and left behind to return to England. In the midst of
WWII, Spark took a bizarre position working in the disinformation
campaign of the British Secret Service, eliciting information from
German POWs to combat Nazi propaganda. She later moved to the Poetry
Society of London, where she mingled with literati and other
intellectuals, befriended by some (such as Graham Greene, an early
supporter of her work) and sparring with others. We experience Spark's
joy with the publication of her first novel, The Comforters, her
trials with other writers' envy, and her emergence as the most brilliant
femme fatale of 20th-century English literature.