This book examines class and its representation in Victorian literature,
focusing on the emergence of the lower middle class and middle-class
responses to it. Arlene Young analyses portraits of white-collar
workers, both men and women, who laboured under disparaging
misperceptions of their values, abilities, and cultural significance,
and shows how these misperceptions were both formulated and resisted.
The analysis includes canonical texts like Dickens's Little Dorrit and
Gissing's The Odd Women as well as less well-known works by Dinah Mulock
Craik, Margaret Oliphant, Amy Levy, Grant Allen, H.G. Wells, Arnold
Bennett, and May Sinclair.