The notion of cultural mediation is a promising albeit not yet
methodologically clear-cut and well-probed instrument for studying
artistic and literary phenomena in the Late Medieval and Early Modern
Period. This volume addresses the role of artists and writers as
cultural mediators in a variety of cultural fields such as religion,
politics, morality and artistic expression (art, literature and
theatre). It fully acknowledges the diversity of roles that the term
cultural mediator incorporates. The artist or writer may be a neutral
transmitter, a dedicated instructor, a conscious advocate, an
unconscious exponent or an autonomous inventor of whatever message is
being transmitted by way of visual or verbal artefacts. In reality,
these roles were often intertwined, but distinguishing them enables us
to recognise the main variables that shaped the role of a cultural
mediator: the intentionality of the artist or writer, the function of
his or her work and its reception by the viewers or audience. The essays
collected in this volume offer a stimulating, interdisciplinary
exploration of the range, variety and impact of the artist or writer as
a cultural mediator, while avoiding a deadlock between notions of art
and literature as subsidiary versus self-contained fields of creative
expression.