The present study analyzes culinary images in the selected writings of
the three diasporic Indian writers settled in America, viz. Bharati
Mukherjee, Chitra Banerjee Divakaruni and Jhumpa Lahiri. The selected
works abound in food images and highlight the expatriate/immigrant
experience in America. The central characters of almost all the texts
are women who respond to immigration through cookery and food
consumption. The immigrant life is beleaguered with dichotomies of
inside-oustside, east-west and past-present and this study proves that
these bipolarities are displayed and resolved through food images. It
also delves into the bipolar world of the diasporic Indian community
settled in America and insists that the repeated rendering of indigenous
food preparation enables the community to reaffirm its identity and
fight against cultural homogenization. This study does not draw
parallels between the three writers and the food images they employ, but
explores the diverse ways these writers capture the identity formation
of their characters through food.