An examination of the passion and crucifixion of Christ as depicted in
the visual and religious culture of Anglo-Norman England.
The twelfth century has long been recognised as a period of unusual
vibrancy and importance, witnessing seminal changes in the inter-related
spheres of theology, devotional practice, and iconography, especially
with regard to the cross and the crucifixion of Christ. However, the
visual arts of the period have been somewhat neglected, scholarly
activity tending to concentrate on its textual and intellectual
heritage.
This book explores this extraordinarily rich and vibrant visual and
religious culture, offering new and exciting insights into its
significance, and studying the dynamic relationships between ideas and
images in England between 1066 and the first decades of the thirteenth
century. In addition to providing the first extensive survey of
surviving Passion imagery from the period, it explores those images'
contexts: intellectual, cultural, religious, and art-historical. It thus
not only enhances our understanding of the place of the cross in
Anglo-Norman culture; it also demonstrates how new image theories and
patterns of agency shaped the life of the later medieval church.