Cristi Puiu's black comedy The Death of Mr. Lazarescu announced the
arrival of the New Romanian Cinema as a force on the film world stage.
As critics and festival audiences embraced the new movement, Puiu
emerged as its lodestar and critical voice. Monica Filimon explores the
works of an artist dedicated to truth not as an abstract concept, but as
the ephemeral revelation of the fuller, ungraspable world beyond the
screen. Puiu's innovative use of the handheld camera as an observer and
his reliance on austere, restricted narration highlight the very limits
of human understanding, guiding the viewer's intellectual and emotional
sensibilities to the reality that has been left unfilmed. Filimon
examines the director's ethics of epiphany not only in relation to the
collective and personal histories that have triggered it, but also in
dialogue with the films, texts, and filmmakers that have shaped it.