This book addresses and demonstrates the importance of critical
approaches to autoethnography, particularly the commitment that such
approaches make to theorizing the personal and to creating work that
embodies a social justice ethos. Arts-based and practice-led approaches
to this work allow the explanatory power of critical theory to be linked
with creative, aesthetically engaging, and personal examples of the
ideas at work. By making use of personal stories, critical
autoethnography also allows for commenting on, critiquing, and
transforming damaging and unjust cultural beliefs and practices by
questioning and problematizing the relationships of power that are bound
up in these selves, cultures and practices. The essays in this volume
provide readers with work that demonstrates how critical autoethnography
offers researchers and scholars across multiple disciplines a method for
creatively putting critical theory into action. The book will be vital
reading for students, researchers and scholars working in the fields of
education, communication studies, sociology and cultural anthropology,
and the performing arts.