The Egyptian art world is the oldest and largest in the Arab Middle
East. Its artists must reckon with the histories of ancient Egypt,
European modernism, anti-colonial nationalism, and state socialism-all
in the context of a growing neoliberal economy marked by American global
dominance. At this crucial intersection of culture, politics, and
economy, Egypt's art and artists provide unique insight into current
struggles for cultural identity and sovereignty in the Middle East.
This book examines the heated cultural politics in today's Arab world,
and tells how art-making has become an unexpectedly central part of
that. It offers a lively analysis of the battles between artists,
curators, and audiences over cultural authenticity, cultural policy,
public art in a changing urban Egypt, and the new global marketing of
Egyptian art. The art world it shows powerfully exemplifies how people
in the Middle East reckon with global transformations that are changing
how culture is made in societies with colonial and socialist pasts.