Clothing was used in the Middle Ages to mark religious, military, and
chivalric orders, lepers, and prostitutes. The ostentatious display of
luxury dress more specifically served as a means of self-definition for
members of the ruling elite and the courtly lovers among them. In
Courtly Love Undressed, E. Jane Burns unfolds the rich display of
costly garments worn by amorous partners in literary texts and other
cultural documents in the French High Middle Ages.
Burns reads through clothes in lyric, romance, and didactic literary
works, vernacular sermons, and sumptuary laws to show how courtly attire
is used to negotiate desire, sexuality, and symbolic space as well as
social class. Reading through clothes reveals that the expression of
female desire, so often effaced in courtly lyric and romance, can be
registered in the poetic deployment of fabric and adornment, and that
gender is often configured along a sartorial continuum, rather than in
terms of naturally derived categories of woman and man. The symbolic
identification of the court itself as a hybrid crossing place between
Europe and the East also emerges through Burns's reading of literary
allusions to the trade, travel, and pilgrimage that brought luxury cloth
to France.