The third edition of this book analyzes over 165 films distributed
throughout the United States over the last 80 years to construct a
theory of curriculum in the movies that is grounded in cultural studies
and critical pedagogy. The portrayal of teachers in popular motion
pictures is based on individual efforts rather than collective action
and relies on codes established by stock characters and predictable
plots, which precludes meaningful struggle. These conventions ensure the
ultimate outcome of the screen narratives and almost always leave the
educational institutions - which represent the larger status quo -
intact and dominant. To interrogate "the Hollywood curriculum" is to ask
what it means as a culture to be responsive to films at both social and
personal levels and to engage these films as both entertaining and
potentially transforming.