Coproduction is dedicated specifically to the study of an emerging
field in music production musicology. It explores the limits of what
this field might be, from the workings of a few individuals producing
music together in the studio, to vast contributions of whole societies
producing popular music.
Taking a wide-ranging approach to examining the field, Coproduction
looks through multiple formats including essays, interviews, and case
studies, with analysis and commentary of coproduction experiences at
Abbey Road studios. It does so by examining multiple disciplines from
social science and coproduction in mental health, to philosophy and
mathematics. At its extremes (which is the extreme middle and not the
blunt 'cutting edge') the authors attempt to produce every song in their
development of an all-encompassing pop music concept, peculiarly called
Toast theory.
In attempting to unite the pragmatic collaborative patterns of Vera
John-Steiner with philosophical postmodernist concepts of connection,
Coproduction has something to offer readers interested in the
traditional workings of teams of producers, as well as those seeking to
understand the wider philosophy of collaboration in music production.