This book provides a rich description of the shifting production
cultures in convergent Chinese television industries, through the
examination of daily production practices, showing how they embody a new
set of opportunities and tensions across strategic, programming and
individual levels. Lin argues that the current Chinese television
landscape is an ideological, cultural and financial paradox in which
China's one-party ideological control clashes with consumer-orientated
capitalism and technological advancement. These tensions are finely
poised between new opportunities for innovation and creative autonomy,
and anxiety over political interference marked by censorship and state
surveillance. Through its in depth study of ethnographic data across
Chinese broadcast and digital streaming sectors (including CCTV, Hunan
Broadcasting System, and Tencent Video), this book illuminates how
Chinese producers have placed their aspirations for creative freedoms
within technological advancements and rhetorical strategies, both
demonstrating compliance with ideological control, and leaving room for
resistance and resilience to one-party state ideology. Nuanced and
timely, Convergent Chinese Television Industries unveils a complex
picture of an industry undergoing dramatic transformations.