This book calls for a new iconography of region that unseats New
Englands status as cultural center of the United States and originary
metaphor for national identity. No single territorial or political axis
can adequately describe the complex regional relationships that comprise
the nation, Anne Goldman argues. Goldman's arguments question critical
sectionalism as extensively as they do regional divisions, by blurring
generic distinctions, by reading across literary periods, and by
juxtaposing writers who explore the same set of social issues during the
same historical moment, but who are conventionally located in separate
literary traditions: sentimental literature, the African American novel,
literary modernism, early Mexican fiction.