This collection of original essays examines innovations in both the
theory and practice of classical philology. The chapters address
interdisciplinary methods in a variety of ways. Some apply theoretical
insights derived from other disciplines, such as folklore studies,
performance theory, feminist criticism, and the like, to classical
texts. Others examine the relationships between classics and cultural
studies, popular literature, film, art history, and other related
disciplines. Others, again, look to the evolution of theoretical methods
within the discipline of classics. Taken together, the essays offer a
spectrum of new approaches in the classics and their place within the
profession.