Since the start of the 1990s, despite tougher competition than ever
before from Hollywood, a rebirth and flourishing of cinema has been
taking place in parts of Europe, the Middle East, East Asia and South
Asia. This book provides an overview of the cinemas of these regions,
interpreting some of the recent developments as strategic responses to
globalisation. Highlighting transnational and cross-cultural structures,
influences and themes, it offers: * A broad critical context for the
study of contemporary world cinema, introducing key concepts and issues
including modes of production and distribution.* Cultural and
historical background for the cinemas of each region, with analyses of
regional aesthetic styles and comparisons with Hollywood models.* Case
studies of Scandinavian, Iranian, Hong Kong and Indian cinema.* Close
analysis of twelve landmark films, including Thomas Vinterberg's
Festen, Samira Makhmalbaf's The Apple, Wong Kar-Wai's In the Mood
For Love, and Ashutosh Gowariker's Lagaan.Contemporary World Cinema
is vital for students and teachers of film, media, cultural studies and
modern languages, as well as general world cinema enthusiasts.