This book considers the state of contemporary theatre education in Great
Britain is in two parts. The first half considers the national
identities of each of the three mainland nations of England, Scotland,
and Wales to understand how these differing identities are reflected and
refracted through culture, theatre education and creative learning. The
second half attends to 21st century theatre education, proposing a more
explicit correlation between contemporary theatre and theatre education.
It considers how theatre education in the country has arrived at its
current state and why it is often marginalised in national discourse.
Attention is given to some of the most significant developments in
contemporary theatre education across the three nations, reflecting on
how such practice is informed by and offers a challenge to conceptions
of place and nation. Drawing upon the latest research and strategic
thinking in culture and the arts, and providing over thirty interviews
and practitioner case studies, this book is infused with a rigorous and
detailed analysis of theatre education, and illuminated by the voices
and perspectives of innovative theatre practitioners.