The first inclusive collection to examine post-2008 developments in
Balkan cinema, this book brings together a number of international
scholars to explore its industrial contexts and textual dimensions. With
a focus on transnational links, global networks and cross-cultural
exchanges, the book addresses the role of national and supranational
institutions as well as film festival networks in supporting film
production, distribution and reception. It also identifies key
characteristics in the subject matter and aesthetics of Balkan films
made since the global economic crisis. Through critical and
comprehensive country profiles, and with a focus on smaller and
underrepresented cinemas from Montenegro, Kosovo, North Macedonia and
Albania, the collection argues for the continuing relevance of the
concept of 'Balkan cinema'.