This book explores the work of artists based in the global south whose
practices and methods interrogate and explore the residue of Empire. In
doing so, it highlights the way that contemporary art can assist in the
un-forgetting of colonial violence and oppression that has been
systemically minimized. The research draws from various fields including
memory studies; postcolonial and decolonial strategies of resistance;
activism; theories of the global south; the intersection between
colonialism and the Anthropocene, as well as practice-led research
methodologies in the visual arts. Told through the author's own
perspective as an artist and examining the work of Julie Gough, Yuki
Kihara, Megan Cope, Yhonnie Scarce, Lisa Reihana and Karla Dickens, the
book develops a number of unique theories for configuring the
relationship between art and a troubled past.