This book examines contemporary approaches to adaptation in theatre
through seventeen international case studies. It explores company and
directorial approaches to adaptation through analysis of the work of
Kneehigh, Mabou Mines, Robert Le Page and Katie Mitchell. It then moves
on to look at the transformation of the novel onto the stage in the work
of Mitchell, and in The Red Badge of Courage, The Kite Runner, Anne
Frank, and Fanny Hill. Next, it examines contemporary radical
adaptations of Trojan Women and The Iliad. Finally, it looks at five
different approaches to postmodern metatheatrical adaptation in early
modern texts of Hamlet, The Changeling, and Faustus, as well as
the work of the Neo-Futurists, and the mash-up
Medea/Macbeth/Cinderella. Overall, this comprehensive study offers
insights into key productions, ideas about approaches to adaptation, and
current debates on fidelity, postmodernism and remediation.