Whereas dialectics separates two entities and traverses from one to the
other (finally negating negation), contamination allows for the
simultaneous interdependence of what has previously been conceived as
separate or opposed. The book enquires into the problem of various
oppositions between pure entities such as nature and society, body and
mind, science and the arts, subjectivity and objectivity, action and
contemplation, the sacred and the profane. It examines how works of
literature and cinema have contaminated constructions of the pure and
the immune with their purported opposite. As an advanced critical
introduction to the figure of contamination, the book makes explicit
what so far has remained unarticulated-what has only been implied-within
postmodern and poststructuralist, and deconstructive theory. Combining
theory with literary criticism, the book sheds light on how overlooked
aspects of Henry James's, H. Melville's and H. G. Wells's novels
question notions of natural
order as well as an opposition between the subjective and the objective.
It offers fresh readings of classic films and literary texts, including
Vertigo and Moby Dick, with the aim to ground theoretical insights in
close analysis."