Robin Curtis examines autobiographical films and videos that focus on
aspects of space, and particularly viscerality, as well as an intense
sense of corporeality instead of on time. The interdisciplinary study is
based on the general assumption that culture and history have an
influence on the notion of what is considered autobiographical. A
striking feature of the films by artists such as Matthias Muller,
Claudia Aravena, Abu-Ghosh, Laszlo Moholy-Nagy, Fatih Akin, Angela
Melotopoulos, Oskar Fischinger, Birgit Hein and others is their emphasis
of the present moment, or an avoidance of depicting the past. An
analysis of the viewer's physical involvement - based on the terms
empathy and attention - results in nothing less than a theory of the
visceral reception of time-related media. In line with the
unconventional approach the book also functions as a flipbook.