Music is performed, reproduced, and heard differently today as a result
of twentieth-century technology. A new consideration of these changes is
a practical and cultural necessity. In Conditions of Music, Alan Durant
extends Deryck Cooke's Language of Music, placing the insights of Cooke
into a much wider sociological and historical framework.
Conditions of Music provides a basis for detailed commentary and
criticism of music. Unlike literature and painting, around which
illuminating critical techniques and theories have developed, little
common ground exists for music criticism. The appraisal argument adopted
here implies a major revision of accepted ways of thinking about
contemporary directions of music.