«Reading Thoreau's Journal, I discover any idea I've ever had worth
its salt, » notes the American composer John Cage in 1968. Upon reading
the words of nineteenth-century nature philosopher Henry Thoreau, Cage
is immediately fascinated with the Transcendentalist's ideas, in
particular his views on music and silence. Recognizing his own beliefs
in Thoreau's writings, Cage began to rely heavily on the thoughts of the
nineteenth-century man and implement them as the basis for his own
compositions - both musical and written. Drawing on the complete oeuvres
of Cage's and Thoreau's written works, this book surveys the
intertextual relation between the writings of the two men. In the
juxtaposition of these authors' aesthetics, this book reveals surprising
overlaps in the thoughts of Cage and Thoreau.