Discussing the Million Man March of October 16, 1995 as a turning point
in the history of African American protest, this volume offers five
interpretive contexts to demarcate its cultural location: The March is
analyzed as a struggle within the African American political
establishment (1), as an attempt at unified black action against a new
politics of white resentment (2), and as the Nation of Islam's (NOI)
most visible self-dramatization since its founding in the 1930s (3).
Relying on these themes, a rhetorical analysis of Louis Farrakhan's
speech at the March uncovers the NOI's uneasy yet intimate relationship
with the rituals of American civil religion (4). Finally, Con/Tradition
addresses Farrakhan's influence on black HipHop culture and academic
Afrocentrism (5).