What does the Coen Brothers' Barton Fink have in common with Norman
McLaren's Synchromy? Or with audiovisual sculpture? Or contemporary
music video? Composing Audiovisually interrogates how the relationship
between the audiovisual media in these works, and our interaction with
them, might allow us to develop mechanisms for talking about and
understanding our experience of audiovisual media across a broad range
of modes. Presenting close readings of audiovisual artefacts,
conversations with artists, consideration of contemporary pedagogy and a
detailed conceptual and theoretical framework that considers the nature
of contemporary audiovisual experience, this book attempts to address
gaps in our discourse on audiovisual modes, and offer possible starting
points for future, genuinely transdisciplinary thinking in the field.