Essays on musical performance practice by an acknowledged expert in the
field.
These selected essays by conductor Andrew Parrott reflect the thinking
behind some four decades of his ground-breaking performances and
recordings. Bringing together seminal writings on the performance
expectations of, amongst others, Monteverdi, Purcell and J. S. Bach,
this volume also includes the full version of a major new article
calling into question the presumed historical place of the
'countertenor' voice. Focusing primarily on vocal and choral matters,
the time span is broad (some five centuries) and the essays multifarious
(from extensive scholarly articles to radio broadcasts). Authoritative,
provocative and readable, Parrott's writing is packed with information
of valueto scholars, performers, students and curious listeners alike.
ANDREW PARROTT is the founder and director of the Taverner Consort,
Choir and Players. His book The Essential Bach Choir (The Boydell Press,
2000) has been acclaimed as 'a brilliant piece of research' (BBC Radio
3); 'utterly fascinating' (Gramophone); and 'a document which will
itself no doubt be a subject of study for years to come' (Times Literary
Supplement).