This book examines how a predominantly negative view of community has
presented a challenge to critical analysis of community performance
practice. The concept of community as a form of class-based solidarity
has been hollowed out by postmodernism's questioning of grand narratives
and poststructuralism's celebration of difference. Alongside the
critique of a notion of community has been a critical re-signification
of community, following the thinking of philosopher Jean-Luc Nancy who
conceives of community not as common being but as being-in-common. The
concept of community as being-in-common generates questions that have
been taken up by feminist geographers, J.K. Gibson-Graham, in theorising
a post-capitalist approach to community-based development. These
questions and approaches guide the analyses in researched case studies
of community performance practice. The book revises theoretical debates
that have defined the field of community theatre and performance. It
asks how the critical re-signification of community aligns with these
debates and, at the same time, opens new modes of critical analysis of
community theatre and performance practice.